Kiriko Moth’s Blog

There are a couple days of scoring left on my current Threadless submission!

A sneak peek at part of the preliminary sketch for a new piece I’m working on.

An illustration of blackberries and blossoms to be used for a product label.

Check it out! My first ever submission to Threadless has been approved and you can vote on it for the next 6 days!

If you dig my design please help me get it printed by voting and promoting – share the link with your friends or post it to your Facebook or Twitter!

Thanks for all your help!

Lots of inking this week…
I finished up another tattoo, this one a simple art nouveau bee design in black and white:

And I finally squeezed in some time to make more progress on my mechanical octopus. I’m going to add a bit more into the background, a few more pipes and more coral, but the inking on the octopus himself (or herself, who can tell?) at least is finished.

I’ve been getting a lot of commissions for tattoo designs lately, and I really enjoy them. Tattoo design is not something I ever set out to do, but I think my style works for it, and I really love the ideas my clients come to me with!

The latest design that I finished was for a chest piece. The client requested a pair of branches with cherry blossoms. On one of the branches would be a birdcage with an open door, and on the other branch would would be a bluebird that was partly mechanical, with a clock key in its back.

These are the three sets of concept sketches that I drew for the design.

 I always like to try to guess which sketch my clients will pick. (They say your client will always pick the one you hate…so my solution is to NEVER hand over a sketch I hate) and in this case it wasn’t the one I expected – it was the one where I thought I was deviating a little from the brief and going a little wild in designing the branches. I’ll do that sometimes – I always turn in an adequate number of concepts that stick to the requested design. But if I get an inspiration for something that veers off in a slightly different direction but looks really awesome, it doesn’t hurt to sketch it out. If the client or art director doesn’t like it, oh well. But they might love it. Nothing ventured, nothing gained.

The next step was to a do a cleaned up sketch with clearer details.

There weren’t many revisions in this job. I offered a few choices of color palatte, a couple of different styles for the bars of the birdcage, and a couple of revisions were done on the mechanical parts that were added to be bird (which you don’t get to see progress of, since they weren’t done in neat stages, they were haphazardly laid on top of the sketch using tracing paper and Photoshop)

After the sketches were finished and apparoved, I scanned them, printed them in blue, and inked them. I do most of my inking traditionally with Microns because it’s faster than I can do digitally, but some of the bird’s mechanical parts and part of the birdcage was inked in Photoshop.

And finally, the full color piece, which you can check out a larger version of in my new tattoo art gallery:

A (very) belated birthday gift for my mom!

“If the cat comes, he’ll knock you off the fence with one jump and catch you with the next. Be still.” She was already at work with her sharp teeth, gnawing at the string.

From Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien