]]> http://kiriko-moth.com/blog/index.php/2010/03/10/apis-calvaria/feed/ 2 http://kiriko-moth.com/blog/index.php/2009/12/03/epic-inks/ http://kiriko-moth.com/blog/index.php/2009/12/03/epic-inks/#comments Thu, 03 Dec 2009 18:29:59 +0000 Kiri http://kiriko-moth.com/blog/?p=324 Lots of inking this week…
I finished up another tattoo, this one a simple art nouveau bee design in black and white:

And I finally squeezed in some time to make more progress on my mechanical octopus. I’m going to add a bit more into the background, a few more pipes and more coral, but the inking on the octopus himself (or herself, who can tell?) at least is finished.

[View with PicLens]

All images are ©2009-2010 Kiriko Moth. Please do not use without permission.
Please email me to inquire about licensing or using any of these images as flash.

The latest design that I finished was for a chest piece. The client requested a pair of branches with cherry blossoms. On one of the branches would be a birdcage with an open door, and on the other branch would would be a bluebird that was partly mechanical, with a clock key in its back.

These are the three sets of concept sketches that I drew for the design.

 I always like to try to guess which sketch my clients will pick. (They say your client will always pick the one you hate…so my solution is to NEVER hand over a sketch I hate) and in this case it wasn’t the one I expected – it was the one where I thought I was deviating a little from the brief and going a little wild in designing the branches. I’ll do that sometimes – I always turn in an adequate number of concepts that stick to the requested design. But if I get an inspiration for something that veers off in a slightly different direction but looks really awesome, it doesn’t hurt to sketch it out. If the client or art director doesn’t like it, oh well. But they might love it. Nothing ventured, nothing gained.

The next step was to a do a cleaned up sketch with clearer details.

There weren’t many revisions in this job. I offered a few choices of color palatte, a couple of different styles for the bars of the birdcage, and a couple of revisions were done on the mechanical parts that were added to be bird (which you don’t get to see progress of, since they weren’t done in neat stages, they were haphazardly laid on top of the sketch using tracing paper and Photoshop)

After the sketches were finished and apparoved, I scanned them, printed them in blue, and inked them. I do most of my inking traditionally with Microns because it’s faster than I can do digitally, but some of the bird’s mechanical parts and part of the birdcage was inked in Photoshop.

And finally, the full color piece, which you can check out a larger version of in my new tattoo art gallery:

The media is pencil drawings which I then scan and color in Photoshop.

[View with PicLens]

“If the cat comes, he’ll knock you off the fence with one jump and catch you with the next. Be still.” She was already at work with her sharp teeth, gnawing at the string.

From Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien

I took my sketchbook around instead. It was awkward to draw because there were very few places to sit and still have a view of any exhibits, so I only ended up with a single page of sketches.

I liked the albino alligator a lot. Unlike the fish, he was sleepy and still. Even that starfish I doodled moved around more than he did. And the gazelle thing didn’t count, because it was taxidermied.

“With her forepaws and sharp teeth she pulled off a part of the husk from the top ear of corn and folded it double to serve as a crude carrying bag. Then she pulled loose as many of the yellow kernals as she could easily lift, and putting them in the shuck-bag she hopped off briskly for home.”